
After that libellous, incendiary comic opera Princess Ida was accidentally allowed to appear on the London stage, the Crown Prosecution Service brought criminal charges against the librettist, W.S. Gilbert.
The trial concluded the other day at the Old Bailey, and the jury convicted the defendant unanimously. If any member of the panel harboured doubts about Mr Gilbert’s guilt, these were put to rest by Crown Prosecutor, I.M. Wokeman KC.
In addition to securing a conviction, his closing remarks have such a far-reaching instructive value that I hope you’ll appreciate their significance.
M’lud, ladies and gentlemen, you sit in judgement of the ophidian writer W.S. Gilbert who, together with his accomplice Arthur Sullivan, committed heinous and, dare I say it, subversive crimes against everything we all hold dear.
Acting with malice aforethought, the defendant penned a comic opera Princess Ida, a seditious scribble that, dare I say it, besmirches the very foundations of British society.
You may suggest, however meekly, that the defendant exercised his right to free speech and that, moreover, satire doesn’t always constitute a crime against the Crown and, dare I say it, everything we hold dear.
However, I submit that certain values are so sacred that they must be held beyond the reach of satire, malicious or otherwise. We no longer live in the Dark Ages of old Europe, when Messrs Boccaccio, Rabelais, Voltaire and, dare I say it, Swift poked fun at the Church, Christian doctrine and, dare I say it, God who, as Dr Darwin proved conclusively, doesn’t exist.
No, ladies and gentlemen, I submit that our progressive time must ring-fence certain subjects, keeping them sacrosanct and not open to libellous scribbles, such as those of Mr Gilbert.
His Princess Ida launches a vicious attack on such subjects, including but not limited to feminism, women’s education and Darwin’s Theory of Evolution, that bedrock of our education and, dare I say it, society.
In broad strokes, the opera depicts a war between the sexes, or rather genders, as they must be appropriately called. I beg the court’s indulgence to allow me to remind you of the plot.
The eponymous princess founds a women’s university, where female persons are taught that they are superior to men in that, unlike men, they don’t descend from apes. When the princess was an infant, she was betrothed to Prince Hilarion, himself an infant, and I know that the paedophiliac subtext didn’t escape the court’s attention.
Now an adult, the prince and his two friends sneak into the university to claim Hilarion’s bride. They disguise themselves as women but are found out, which leads to the aforementioned war of the sexes, nay genders.
You’ve heard Mr Gilbert’s fulsome assurances that, rather than poking fun at the simian descent of man, he himself is a Darwinian. That may be, ladies and gentlemen, but his is an heretical brand of Darwinism, one that reaches wrong and, dare I say it, subversive conclusions.
This heresy originates with Herbert Spencer, the next case in your docket, m’lud. He egregiously denied that the two genders are equal, and only allowed that genders are two in number, thereby underestimating by two orders of magnitude.
According to Dr Spencer, women expend so much energy in childbirth that their brains never reach “the latest product of human evolution”, namely abstract reasoning. Therefore, higher education and the mental effort involved therein disrupt reproductive processes, eventually consigning personkind to extinction.
It’s from that misogynistic premise that the defendant saw fit to satirise feminism. His Princess Ida facetiously says that “man is nature’s sole mistake”, whereas a woman occupies a higher rung on the evolutionary ladder (“A lady fair of lineage high”).
This, dare I say it, is an old trick of libellous satire, putting in the mouth of the satirised object a grossly exaggerated statement of his position, thereby leading to vicious mockery thereof. To that end, the defendant concocted the notion of Darwinian Man, essentially still an ape:
“For the Maiden fair, whom the monkey craved,/ Was a radiant Being,/ With a brain far-seeing – / While a man, however well-behaved,/ At best is only a monkey shaved.”
I’d like, if I may, to remind you, ladies and gentlemen, of Exhibit 1, the defendant’s pictorial illustration to his scandalous and, dare I say it, subversive text. It shows said Darwinian Man, still an ape, wooing his princess, and I know that you unfailingly detected the vicious, vindictive and, dare I say it, subversive mockery conveyed by that caricature.
I submit, ladies and gentlemen, that Princess Ida is a sexist, misogynistic, evolution-denying and generally subversive play that belittles the very foundations of our society and makes mockery of its sacred values, thereby undermining those foundations.
Yes, it’s only a satire, but I submit it does more damage than such crimes as burglary, robbery and, dare I say it, murder, which puts it on the par with transphobia, homophobia and global warming denial.
I am second to none, ladies and gentlemen, in upholding freedom of speech, even, dare I say it, satirical speech. But any decent society ought to draw a line that no satire must be allowed to overstep. Princess Ida, however, not only oversteps that line but erases it altogether.
For these reasons, I ask you to find the defendant guilty as charged. And I hope, m’lud, that you will impose a lengthy custodial sentence, which alone could constitute punishment commensurate with the crime.
At that point, I woke up with a jolt. That nightmarish dream was so realistic that it took me almost a minute to realise it wasn’t indeed reality. Just to make sure, I had to check the dates to verify that Princess Ida was first produced in 1884, not 2025.
If Sigmund Freud were still with us, he’d be able to interpret that dream. Without his help, I can’t even begin to figure out where such a phantasmagoria could have possibly come from. Nothing short of bizarre, that.








